My article in The Telegraph: A journey on the most storied railway in Spain

THE TELEGRAPH

TRAVEL

A journey on the most storied railway in Spain

For the original article, available to subscribers only, please click here. It is also available, for free, on MSN here.

(This follows on from my Telegraph article on Gaucín three years ago,  ‘A postcard from Spain’s most picture-perfect town‘, which went viral in Spain, from national newspaper ABC to ¡Hola! magazine.)

Gibraltar has always been an outpost. In antiquity it was one of the Pillars of Hercules on which were inscribed the warning to sailors: “nothing further beyond”. Its name derives from the Berber military commander who landed there and began the Moorish conquest of Spain in 711 AD. A thousand years and 14 sieges later the Rock became a British fortified-enclave. However, under the blistering Spanish sun its confines bred fever and mutiny. The inhabitants craved access to the mainland, looking up to the cooler mountains of Ronda, two days’ ride away up rocky, bandit-stricken trails.

To cater to this need, Alexander Henderson founded the Algeciras-Gibraltar Railway Company in 1888 in a deal with the Spanish government. Henderson had already built railroads across the mountains and jungles of South America. Not permitted to run the railway onto British soil, Henderson arranged a daily steamboat across the bay to the first station on the line at Algeciras, and all materials were shipped from England, right down to the station clocks. The result was – and still is – one of Europe’s most remarkable train journeys, but which today takes tourists, rather than British army officers, to Ronda in 90 minutes for €11.50.

To ensure comfortable digs both before boarding and at journey’s end, Henderson also hired the architect of The Savoy to build the Hotel Reina Cristina at Algeciras and a sister establishment, the Hotel Reina Victoria, in Ronda. There are also stops in San Roque and Gaucín, offering the chance to break up the journey.

Today, Algeciras is an industrial port city and the Reina Cristina (rooms from £90), while a grand structure, is run down, its rolling gardens out of place between the docks and tenement buildings. In its time it hosted movie stars and politicians: Orson Welles and Ava Gardener, Roosevelt and Churchill (both as Prime Minister and earlier, as Telegraph reporter at the Algeciras Conference on the fate of Morocco in 1906). Its carefully restored twin in Ronda, the Reina Victoria (rooms from £100), remains a lovely hotel.

There are three daily trains along Mr Henderson’s Railway, departing at 06:20, 10:50 and 17:04. I boarded the second and headed out towards the mountainous backdrop of the Serranía de Ronda. The rails are far nicer than the road, exchanging motorways and flyovers for verdant coastal countryside. The steam trains have gone, but their smooth, air-conditioned replacements, operated by Renfe (the state-owned railway), are perfectly good.

The original passengers were often British Army officers, which explains why the first stop along the line is San Roque, home to the luxurious Sotogrande with its famed polo clubs. It was the British Army who adopted this equestrian sport while serving in India and went on to teach it to the horse-obsessed Spanish nobility.

I disembark and head for lunch at the restored 18th-century marvel that is El Monasterio, one of the most beautiful small hotels in Andalusia. Afterwards I catch a practice session at the neighbouring polo ground, Luciano Irazábal and Nano Iturrioz’s ‘Iron Bridge’, and see Klarina Pichler, semi-finalist in last July’s British Women’s Open at Cowdray Park, the Wimbledon of the Game of Kings, and who coaches the British Royal Dragoon Guards who brought the sport to Europe. (Indeed, she is the only British Hurlingham Polo Association licensed instructor in Spain.)

I make the last train from San Roque at 17:18. From here it is all about the views and admiration of the technique and industry required to dynamite your way through the hillsides to follow the mountainous forest-course of the river Gaudiaro through the sparkling wonders of the Natural Park of Los Alcornacales.

A little over an hour later I arrive at Gaucín station, although it is a few miles from the town so a taxi is required. The last time I was here it was under the shadow of Covid-19. I am pleased to see Daniel Beauvoir’s La Fructuosa (rooms from €110) remains the most pleasant of village retreats, with elegant and spacious rooms looking out over the valley.

The real surprise, though, is Restaurant Azulete, under the new management of a Franco-Colombian couple: Parisian chef, Gabriel Arnaud, who met his wife Daniela Rodriguez while they were working Ferran Adrià of El Bullí fame, before they came here. In 25 years of writing about this country, I can’t recall a finer dining experience.

The final section of track winds through an undulating landscape, softening from epic to pastoral, a transition highlighted by the stop-motion effect of a dozen tunnels within 40 miles.

At the end of it all lies Ronda, the haven. A writer’s retreat, it has statues to visitors like Hemingway, the centenary of whose first visit to Spain is this year, and the Austrian poet Rilke.

I meet Jon Clarke, editor of the local English newspaper, at the tapas bar La Barrafina. He updates me on the gossip over thin-sliced jamón ibérico – the owner is a national champion jamón-cutter – and ice-cold manzanilla, before I check into one of his wife Gabriella’s self-catering apartments (rooms from €140), hidden gems a short walk from the Arab Baths along the city walls.

From there one can stroll up past the three historic bridges – Arab, Old and ‘New’ (1790s in vintage, 390 feet in height) – culminating in the vertiginous glories of the Tajo gorge, one of the most visited monuments in Spain.

Next to it is another, the 450-year-old Maestranza plaza de toros of Ronda, still operated by the longest running dynasty of matadors, whose present title holder, Cayetano Rivera Ordoñez, excels in the ring to this day.

Finally, one is at the breezy summit of one of the peaks of Spain’s history and culture. The steam from the locomotives may have long ago evaporated, and the gun-smoke of the bandits has dispersed, but the poetry of this coast-to-mountain, British-built train service remains as uplifting as it always was.

My column in The Telegraph: Gaucín – A postcard from Spain’s most picture-perfect town

THE TELEGRAPH

TRAVEL

A postcard from Spain’s most picture-perfect town

My column in The Telegraph: Seville Rises Again

DAILY TELEGRAPH

Europe’s most sensuous city in a time of social distancing

Alexander Fiske-Harrison

Six weeks ago I wrote about a dream of wandering the streets of Seville, far away from my prison quarantine in Jimena de la Frontera in the forested wilds of central Andalusia.

But no imagining could have been quite as dreamlike as finally stepping off the bus at the Prado de San Sebastián, where they once burned heretics, but now welome tourists.

Photo by Nicolás Haro

The Sevillian sunlight in late June has that perfect golden slant, between the chilling white of winter or the infernal yellow of true summer which comes at the end of July. The temperature here is already mid-30s in the shade and a coronavirus cleansing 40 degrees in the sun.

I am met by my old friend, Nicolás Haro, a native of the city, who I have not seen since the pandemic began.

“It has been strange, mi amigo, to be locked away because the government lacked the hospitals and personal protective equipment to allow us to be together. After all, we will all catch this virus.”

I agree with his fatalism, but, for the moment at least, Seville is one of the clearest places on Earth, with a mere seven Covid-19 hospital patients in a city of over a million, and just two in intensive care.

Photo by Nicolás Haro

Despite this, we drive down almost deserted streets and those people we do see are masked and separated. The bars and restaurants for which the city is famed are shuttered.

I hope so as well, but also I cannot help feeling that I have never seen Seville so alluringly peaceful. With its bustle and feverish heat, rendered in purified form by its twin emblems of bullfighting and flamenco, Seville has always struck me as an overwhelming sensuous city. Now it is its grandeur that is on show, the remnants of a wealth that once outstripped all other cities on Earth.

In over 20 years of visits, I have never seen it look so striking.

“It is waiting,” says Nicolás simply.

It will not have to wait for long, for all the signals are that by the end of June quarantine-free travel will occur between Seville and the rest of Europe, possibly even the UK. For now I have the city to myself and am determined to take full advantage.

I decide to retrace the steps of my usual pilgrimage, as described in these pages, and am delighted to find Bodega Antonio Romero open, even if I begin the evening as the only customer there.

Alexander Fiske-Harrison at Bodega Antonio Romero – Photo by Nicolás Haro

However, my other favourites – Casa Matías, Casa Morales, Las Teresas – we find shuttered, and I retire to bed.

Even that is trickier than usual: the owners of my two mainstays, the Hotel Inglaterra and Las Casas de la Judería, had both told me they were closed. So I reach out to an old friend, Patrick Reid Mora-Figueroa, whose family owns the exquisite boutique Hotel Corral del Rey. To no avail. “Sorry my friend, I’m in Marbella – we’re closed until September.”

Deciding to put to an end to further exchanges I contact Marriot International, which runs the largest, grandest and most historic of all the hotels in the city, the Alfonso XIII. Closed until July 1.

Luckily, Nicolás’s brother Kinchu owns the nicest short-stay apartments in town, Almansa 11, a series of rooms carved out of the Marqués de Villamarta’s former mansion in the old El Arenal district of the city, so I finally find my rest.

El Rinconcillo – Photo by Nicolás Haro

The next day, Monday, Spain begins to reopen, including the Balearic Islands to certain forms of foreign tourism. But in Seville, where the Alcazar welcomes visitors for the first time in months, hearing the exclusive use of the Spanish language in the streets and bars has its own charm.

“It is as though the Sevillanos have reconquered the old city centre, where once it was so filled with tourists many locals stayed away,” says Nicolás.

We start the day at the usually packed El Rinconcillo, the oldest tapas bar in existence (founded in 1670) where Javier de Rueda, whose family have owned it for the last seven generations, greets us at the bar.

Javier de Rueda Santiago – Photo by Nicolás Haro

From there we crisscross the city, from the taurine characters who prop up the Bodega San José next to the bullring, to Casa Cuesta over the river in old Triana, at each stop meeting with more and more people – although all distanced, all protected, all obeying the measures which finally brought the virus in Andalusia to its knees.

And as the day draws to a close, and we sit down to dine at the finest white table cloth restaurant in the town, Casa Robles, with its perfect chuletón steak and its exhaustive list of riojas, I once again quote to myself the motto of the city which is engraved on every lampost and manhole cover, and which occurs to me each time I visit: Sevilla no me ha dejado, “Seville, she has not deserted me.”

Bodega San José – Photo by Nicolás Haro

 

Casa Cuesta – Photo by Nicolás Haro