My postcard in The Telegraph: Salzburg is well-suited to lockdown – scenic, old-fashioned and healthy
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My dispatch in The Telegraph: From Vienna, ‘I woke from my Covid sickbed to the sound of gunfire’
‘I woke from my Covid sickbed to the sound of gunfire’ – dispatch from Vienna
On the eve of the city’s second lockdown, it faced a new – yet all-too familiar – trauma
Having just written a postcard in these pages praising Vienna as the best travel destination I have visited in some time, I did not expect to be writing again so soon, and under such different circumstances.
Last night at 8pm an unknown number of armed men fanned out into the streets of the first district where I am staying and opened fire at random, in a manner all-too familiar these days, while invoking the greatness of God in his Qur’anic name.
Reports have the shooters moving down from the city’s main Synagogue to the seat of its Archbishop, St. Stephen’s Cathedral, although this is more likely a ‘happy’ coincidence for the terrorists involved. This is the main pedestrianised bar area in Vienna’s old city, and they struck, with neither provocation nor warning, on the night before the city returns to lockdown due to a surge in hospitalisations for Covid-19.
The police response was rapid. One terrorist was shot on the spot, later identified as a 20-year-old Albanian, with dual Austrian and North Macedonian nationality, who had been sent to jail for attempting to join Islamic State in Syria, but released a year early from his 22-month sentence in December. Continue reading
My postcard in The Telegraph: From Vienna, where common sense reigns supreme
A postcard from Vienna, where common sense reigns supreme – ‘No hysteria, no virtue-signalling’
In Austria, Alexander Fiske-Harrison found a completely different atmosphere to the UK
Vienna is at, indeed perhaps just is, the very heart of Europe. It was capital of the Holy Roman Empire for the majority of its thousand-year existence – until it confronted Napoleon at the Battle of the Three Emperors at Austerlitz. It was the “city of music” that made Mozart; it was the “city of dreams” that bred Freud. In 1938 the French author Albert Camus wrote, “Vienna stands at the cross-roads of history. Around her echoes the clash of empires. Certain evenings when the sky is suffused with blood, the stone horses on the Ring monuments seem to take wing.”
And yet, less than a decade later, Graham Greene would write, “I never knew Vienna between the wars, and I am too young to remember the old Vienna with its Strauss music and its easy charm; to me it is simply a city of undignified ruins.”
There was dark romanticism even in the ruins, as Greene knew, hence he made the city the third character in his and Carol Reed’s film The Third Man (although the great Orson Welles added a few lines of his own, including the famous one about the Borgias and cuckoo clocks.)
My column in The Telegraph: Pamplona’s spectacular bull-runs are too often misunderstood
For the original article, available to subscribers only, please click here
Pamplona’s spectacular bull-runs are too often misunderstood
ALEXANDER FISKE-HARRISON
“I’d much rather be a Spanish fighting bull than a farm cow”
I left the site of my last Andalusian postcard with a heavy heart and burning ears: apparently some locals had taken offence to the “elitist” connotations of my comparison of their town to Notting Hill. People take things the wrong way with a vengeance nowadays: as with Montparnasse in Paris, the artists that first made Notting Hill famous were followed by richer creative-types and the resulting economic gear-change had both upsides and downsides.
Notably, though, these complaints were British ex-pats. The Spanish were delighted, with the Mayor of the town, a socialist, writing to say how much he looked forward to hosting Telegraph readers.
After Gaucín, for the first time in a decade I did not know where to go in Spain mid-July. Normally, I would head north to Pamplona for the Feria of San Fermín, known here simply as Fiesta.
Some people think running with bulls, a pastime for which that city is most famous, is dangerous and anachronistic, and the end place of that run, the bull-ring, is a place of torture and death. And indeed, all Spain’s bull rings are registered abattoirs – they have to be, because the carcass of every bull ends up in the food chain. The only difference, in terms of the bull’s welfare, is the manner and duration of their life and the manner and duration of their death, but perhaps not in the way readers think.
A Torrestrella bull is caped by the late matador Ivan Fandiño in Pamplona on July 11th, 2013. This photo also appears, among many others by the same award-winning photographer, in The Bulls Of Pamplona. Jim Hollander has run bulls and photographed them for over fifty years, between other assignments for Reuters and EPA around the world. (Photo © Jim Hollander / EPA)
My column in The Telegraph: Gaucín – A postcard from Spain’s most picture-perfect town
THE TELEGRAPH
TRAVEL
A postcard from Spain’s most picture-perfect town
My column in The Telegraph: Seville Rises Again
DAILY TELEGRAPH
Europe’s most sensuous city in a time of social distancing
Alexander Fiske-Harrison
Six weeks ago I wrote about a dream of wandering the streets of Seville, far away from my prison quarantine in Jimena de la Frontera in the forested wilds of central Andalusia.
But no imagining could have been quite as dreamlike as finally stepping off the bus at the Prado de San Sebastián, where they once burned heretics, but now welome tourists.
Photo by Nicolás Haro
The Sevillian sunlight in late June has that perfect golden slant, between the chilling white of winter or the infernal yellow of true summer which comes at the end of July. The temperature here is already mid-30s in the shade and a coronavirus cleansing 40 degrees in the sun.
I am met by my old friend, Nicolás Haro, a native of the city, who I have not seen since the pandemic began.
“It has been strange, mi amigo, to be locked away because the government lacked the hospitals and personal protective equipment to allow us to be together. After all, we will all catch this virus.”
I agree with his fatalism, but, for the moment at least, Seville is one of the clearest places on Earth, with a mere seven Covid-19 hospital patients in a city of over a million, and just two in intensive care.
Photo by Nicolás Haro
Despite this, we drive down almost deserted streets and those people we do see are masked and separated. The bars and restaurants for which the city is famed are shuttered.
I hope so as well, but also I cannot help feeling that I have never seen Seville so alluringly peaceful. With its bustle and feverish heat, rendered in purified form by its twin emblems of bullfighting and flamenco, Seville has always struck me as an overwhelming sensuous city. Now it is its grandeur that is on show, the remnants of a wealth that once outstripped all other cities on Earth.
In over 20 years of visits, I have never seen it look so striking.
“It is waiting,” says Nicolás simply.
It will not have to wait for long, for all the signals are that by the end of June quarantine-free travel will occur between Seville and the rest of Europe, possibly even the UK. For now I have the city to myself and am determined to take full advantage.
I decide to retrace the steps of my usual pilgrimage, as described in these pages, and am delighted to find Bodega Antonio Romero open, even if I begin the evening as the only customer there.
Alexander Fiske-Harrison at Bodega Antonio Romero – Photo by Nicolás Haro
However, my other favourites – Casa Matías, Casa Morales, Las Teresas – we find shuttered, and I retire to bed.
Even that is trickier than usual: the owners of my two mainstays, the Hotel Inglaterra and Las Casas de la Judería, had both told me they were closed. So I reach out to an old friend, Patrick Reid Mora-Figueroa, whose family owns the exquisite boutique Hotel Corral del Rey. To no avail. “Sorry my friend, I’m in Marbella – we’re closed until September.”
Deciding to put to an end to further exchanges I contact Marriot International, which runs the largest, grandest and most historic of all the hotels in the city, the Alfonso XIII. Closed until July 1.
Luckily, Nicolás’s brother Kinchu owns the nicest short-stay apartments in town, Almansa 11, a series of rooms carved out of the Marqués de Villamarta’s former mansion in the old El Arenal district of the city, so I finally find my rest.
El Rinconcillo – Photo by Nicolás Haro
The next day, Monday, Spain begins to reopen, including the Balearic Islands to certain forms of foreign tourism. But in Seville, where the Alcazar welcomes visitors for the first time in months, hearing the exclusive use of the Spanish language in the streets and bars has its own charm.
“It is as though the Sevillanos have reconquered the old city centre, where once it was so filled with tourists many locals stayed away,” says Nicolás.
We start the day at the usually packed El Rinconcillo, the oldest tapas bar in existence (founded in 1670) where Javier de Rueda, whose family have owned it for the last seven generations, greets us at the bar.
Javier de Rueda Santiago – Photo by Nicolás Haro
From there we crisscross the city, from the taurine characters who prop up the Bodega San José next to the bullring, to Casa Cuesta over the river in old Triana, at each stop meeting with more and more people – although all distanced, all protected, all obeying the measures which finally brought the virus in Andalusia to its knees.
And as the day draws to a close, and we sit down to dine at the finest white table cloth restaurant in the town, Casa Robles, with its perfect chuletón steak and its exhaustive list of riojas, I once again quote to myself the motto of the city which is engraved on every lampost and manhole cover, and which occurs to me each time I visit: Sevilla no me ha dejado, “Seville, she has not deserted me.”
Bodega San José – Photo by Nicolás Haro
Casa Cuesta – Photo by Nicolás Haro
My article in The Spectactor on my late family friend Peter Beard
Read the original online here.
My old family friend Peter Hill Beard, that hybrid of Hemingway, Warhol and Errol Flynn, died with signature irregularity sometime in either March or April, aged 82.
The obituaries say he was ‘known as “the last of the adventurers”’ so often that one suspects he may have coined that himself.
Peter was old money. His great-grandfather James Jerome Hill, born in 1838, founded the Great Northern Railway and from him descended a line of New York stockbrokers with a mansion on the Upper East Side and an estate in Tuxedo Park. William Waldorf Astor and J.P. Morgan attended Peter’s grandparents’ wedding. His grandmother later married Pierre Lorillard V, scion of the oldest tobacco family in the United States and the original developer of Tuxedo Park along with Newport, Rhode Island.
No financier, Peter became a photographer, focusing on his beloved Africa. Always trying to get the shot others couldn’t — in 1996 he was gored by an elephant — he developed a signature style of collaging the original image with handwritten notes and color washes, often using materials from the moment the photo was taken, such as elephant dung or his own blood. His works, enhanced by his personal cachet, sold well in exhibitions and from his friend Michael Hoppen’s gallery in London’s Chelsea.
Beginning as an African conservationist — a word he hated for evoking ‘tourist’ — Peter published his most important book in 1965, The End of the Game. But it was befriending Karen Blixen of Out of Africa fame and buying the neighboring ranch to hers in Kenya that created his African name.
Peter in Africa in the old days
My column in The Telegraph: After two months of draconian Spanish lockdown, with fines for ‘bad attitudes’, I’m dreaming of the feria
For the original article, available to subscribers only, please click here
DAILY TELEGRAPH
After two months of draconian Spanish lockdown, with fines for ‘bad attitudes’, I’m dreaming of the feria
Alexander Fiske-Harrison
1st May 2020
After six weeks of house arrest without even the opportunity to go to the village shop like their parents, or to go to the park like their pets, Spain has finally released its children – those aged 14 and under, with supervision, within a kilometre of home, and for no more than one hour a day.
Given that the average size of an apartment in Seville, our regional capital, is less than 600 square feet, one can only marvel that domestic violence has not been a bigger problem.
Of course, with three quarters of a million fines being issued by police and the Guardia Civil during that period, perhaps people did what they naturally do and simply found a way around an impossible set of laws. One could hardly blame them. The social contract is wearing thin.
One of the categories of fine listed in a recent document from the national government includes €2,000 for “inappropriate attitude”. What exactly would be appropriate right now? Perhaps one should not be surprised that a revenue stream is being taken advantage of as the Spanish economy goes into the steepest decline since the Thirty Years War. Continue reading
My column in The Telegraph: It doesn’t feel like lockdown has been eased here in Spain when armed police still stop you at every turn
For the original article, available to subscribers only, please click here
DAILY TELEGRAPH
It doesn’t feel like lockdown has been eased here in Spain when armed police still stop you at every turn
Alexander Fiske-Harrison
16th April 2020
We wake today in our village of Jimena de la Frontera – a full month into lockdown – to the news that the social democrat Prime Minister is planning to extend confinement by another month, while his hard socialist deputy has called for nationalisation of everything up to the coronavirus itself. We live, as the Chinese like to curse, in interesting times.
That same deputy’s criticisms of the Spanish Head of State, King Philip VI, for wearing military uniform in his rather dignified public appearances as Commander-In-Chief of the Armed Forces were ill-advised, though, with even left-wing allies pointing out that their own communist heroes – Che Guavara, Castro, Chavez and Maduro – were wont to adopt the same fashion, although normally to a far darker purpose than Spain’s constitutional monarch.
Along with the announcement of prolongation, they spoke of a loosening of the lock-down. For example, one can now exit one’s habitation to purchase a “necessary” pizza from the takeaway, rather than just its equally “necessary” frozen cousin from the supermarket. Personally, this writer finds this hardly a loosening of the manacles. And if anyone doubts the reality of those restraints, the view from the balcony of the Spanish Marines questioning anyone leaving buildings on my street is quite clear. Continue reading
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